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Showing posts with label artist interview series. Show all posts
Showing posts with label artist interview series. Show all posts

Interview with Artist K Abdul: Raindrops in the Foreground





Khulud M Abdul
20 year old Artist from Toronto, ON

“Many intelligent people have accepted the false idea that accuracy in representing visual facts is a sign of progress in art. Such imitation of superficial effects has nothing to do with art, which is and always has been the making of mental concepts. Even the scientist is interested in effects only as a phenomena from which to deduce order in life." ... "'Looks like' is not the test of a good painting. It indicates merely visual similarity and shows that the artist has not put his brain to work. " *

Discuss this statements relevance to your own artistic philosophy

I agree with John Sloan’s quote. I’ve seen two random objects placed next to each other and that would simply be referred to as “art”. I however, would not call it art because it’s so easy to take any, already made objects, place them next to one another on a platform of some sort and stick a label, saying art right, above it. There is no premeditated thought or emotion in that.
I can, effortlessly walk over to my fridge, pick out a cucumber and an apple; place them in a box, label it art, and try to sell it to any idiot that would buy it.
To me art is something that represents something to the artist who created it, something that carries out an emotion, something that viewers can either relate to or walk off with a thought embedded with what they’ve just viewed.


Have you always been an artist, as a girl were you drawn to the act of creation?
Yes, I always had an infatuation with creation of any sort. To create something from nothing or to take something and turn it into something else, made me feel almost godly.

What are your earliest memories of art?

My earliest memory of art is a drawing of myself in a yellow raincoat, rain boots, and an umbrella; standing under fluffy baby blue clouds with a chalk white outlining, and with the full sun shinning above me.

Ironically, I held my umbrella open above me as it rained heavily. I drew so many drops of rain coming down from above something that wouldn’t be considered as rain clouds. Everything in the drawing played as a background while the raindrops, falling from above the clouds and through, played the foreground.

What have been some positive influences in your development as an artist?

Some positive influences (that at first played as negatives) were the lack of support I had from my family when it came to art, teachers not considering my work as art, and hiding my artistic side from close friends.
Growing up, all these things played as downbeats to my life, but somehow turned into tremendous upbeats when it came to me creating something so amazing that had others and myself in awe.
I hid my artistic side so well, since I was worried about what people would think of my work and because I didn’t accept the words “art” or “artist” when it came to referring to my work or self.
When I hit my parents with the thought of wanted to go to art school, they didn’t take me seriously. When I asked for art supplies, they said no. And that wasn’t because they were trying to be unsupportive, but because they have never seen any of the work I had hidden in my room and lockers at school.

When teachers would pick through my talent and say they didn’t necessarily consider it as art because of all the surfacing flaws they saw in it; flaws that I purposely put in there, drove me towards creating more work similar to what they disapproved of.
Finally, an art teacher came along who thought my work was magnificent and that’s when I felt comfortable with sharing my art with family and friends, who thought it was so awesome that some of them hired me to create flyers, comics, and a bunch of other stuff for money.
Money that I could buy art supplies with : D


Do you have a favorite artist, or school of art?

My favorite artist is Caspar David Friedrich. His work entrenches a sense of tranquility at the pit of my stomach, which gradually carries out through the rest of my body. I doubt I can ever paint like him, but I see nature the way he did.
Like his famous painting, “Two Men Contemplating the Moon,” I can stare into that painting all day and feel as I’m apart of it; standing next to those two men and contemplating the moon with them. I feel as if I’m one with Caspar’s work.


 

Did you receive a formal education in arts, if not how did you learn to use the materials and mediums that you choose?

I studied one semester of BA Art History/Fine Arts at York University in Toronto, Canada. However, the mediums I use; I taught myself through mistakes and emotions.




What is your opinion of arts education? Is an artist born or made - or both?

I think an artist is born and then learns to evolve and expand thru experiences and the environments they’re placed in.
Any and everyone can be an artist, but not everyone is blessed with the mind and eye of an artists. The education system doesn’t really do much, other than teaching one a new skill. A talent is not taught or bought, art is a seed rooted in the artist’s mind from growth.

What do you feel most influences your current attitude/style in painting/media.

i.e. Do you find reference and inspiration from pop culture, philosophy, the human body, wonderful vistas etc.

I find myself fascinated by other artist’s works, but surprisingly hardly ever inspired. I’m inspired by my own childhood, the way other humans react to one another and their surroundings, and the texture of random objects.

Has your passion for art detracted from your success in other areas (i.e. have you had to "suffer" to do what you love)

Yes, of course it has. But that is what love does. I simply love what I do. I love to have emotions and thoughts pour out of me and turn into something that can be looked at and touched.
A few quibbles here and there threw me off my passion for art, but it always grew and remained great that I effortlessly seeped back towards creating more art. My passion has definitely detracted me from wanting to have a regular social life; I’d rather stay in my house all day and do something I love than to go out and kill time with people, while the cabinets in my mind overflow with files of arty ideas.


If someone asks you "what do you do", how do you respond?

That question always threw me off, but now I just respond with, “I do Me!”

What are you currently working on, how is it different from past works? (12/08)

I’m currently working on creating one piece that embodies my love for hip-hop, abstract art, planet earth, the moon, and what surrounds it all. These are all separate ideas that when brought together in my mind they seem to birth one another. With these ideas, a series of visual objects will play the background in a video clip featuring myself; poetically speaking about the judicial system of Canada.

Do you feel you evolve as an artist?

Every second of every minutes of every hour, I am an evolving artist. 



Describe a day in the life of you, the artist:

There are days where my life would seem to be monotone and boring to an outsider, but in my mind everything plays out as a scene leading to another surprising scene. Lets just say, my life can be viewed as a 3D cartoon movie.
From the moment I wake up, to the moment I brush my teeth, to the moment I tie my laces, to the moment I step out of my house, to the moment I come back home, and to the moment I go back to sleep.
Everything that carries out between those habitual activities, are beyond surreal to me sometimes.

A good example would be the other day, when I decided to head to a concert by one of my favorite rappers, Nasir Jones.
It was a rainy day, so I woke up feeling happy (I love it when it rains). I started off my day with a Canadian remix to one of his tracks, “Dead Presidents.” Then I started getting ready to drop off a few resumes at some retail stores before heading to the concert.
I stepped out my house, opened up my transparent umbrella (it was one of those umbrellas that hugged from your mid-waist up), and I’m walking over to the bus stop, slush gush slush gush were the sounds my rain boots made as I stride over to the bus shelter, then boom, my umbrella folds on me.
I thought, ‘okay I might’ve not opened it all the way, let’s try again.’
So I try opening it again, then I see one of the metal pieces that were once attached to the main bar, fall off and poke out a centimeter away from the ferrule and break thru the plastic. I didn’t think that one bar would have effect on the entire umbrella, but that was the end of it.
I didn’t want to throw it, but out of frustration; I dashed it towards a fence in the corner of the narrow short cut I was walking through. That was the last of my umbrella (RIP beloved umbrella that hugged and covered me from mid-waist up, as I looked thru you and laughed to myself while I watched everyone else get wet).

I made it to the mall, semi wet; bought a new zebra patterned umbrella with a wooden handle (extremely pretty btw). I was late for the concert, but I got to watch him perform two and a half songs (not my favorite ones, but I appreciated being in the presence of Nas).
Before getting into the concert, I got stuck in a building next to where the actual concert was being held at; I could hear the bass bumping, music blasting, and the crowd going nuts. I fiend to be in there, but the elevator I took up only went up and one would have to use a key to ride it back down. I shouted from inside that empty building, hoping someone would come to my rescue before Nas left the building.
Sadly, no one heard me, so I had to climb up a gate with a huge lock on it, squeezing through the opening edge at the top, while trying to keep my balance as I climbed down from the other side of that fence, leading down the stairs. I had to climb up and down three gates between three sets of stairs (who would lock a gate at the end of stairs? I mean, really who does that? Who even places a gate in the middle of stairs, isn’t that supposed to be a fire exit?).


Before entering the concert, I had to place my brand new umbrella in a pile with other umbrellas because apparently it could have been used as a “weapon” or got the floor wet, which would’ve been hazardous. Hearing the end of one my favorite songs, “One Mic,” I decided not to argue with the security guard and placed my umbrella in a corner away from the rest of the pile. Just to come back and find my umbrella gone. I was livid, mainly because I had to walk back home in the rain and this was an umbrella I just bought (mind you it cost $35+tax).   

I’m not a violent person, but if I found the person who stole my umbrella, I would probably beat them with it. Only because I went through so much in just a few hours; my favorite umbrella broke, I got wet, I got stuck in a building, had to climb grimy metal bars, just to listen to two and half songs!

This is just a simple hardship that could reflect the rest of my days. Leaving me with, going back home thinking of creating something new that could possibly relate to the situation I overcame and helping me forget about those simple things that make my blood boil a tad bit.

After all this, I end up with art. 










How important is the company of other artists and creative individuals to your well being and creative output.

I personally don’t find the company of other artists useful to my well being, unless each of our companionship benefits one or the other in a collaboration formation or to a friendship level.  It’s usually fun having other creative individuals in my presence, but I am a very competitive person; when I see their creative output it just motives me to create something greater.  So I guess there’s always a benefit to having other artists around, although I enjoy doing most things on my own.  

Do you dislike/disdain the works of other artists?

As an artist or even as a regular human being, there will always be a time where I come across work that I may like or dislike for several reasons. However, seventy five percent of the times I find myself liking pervious artist’s work more than something I’ve seen in the present or my own work. And that’s just because I like comparing styles with works from history or my own.

Do you display your works? If so, where have you displayed.

I’ve had my work displayed at several charity events around Toronto, at local galleries, murals at former high schools, and around campus at my previous university. There are also websites I try to post some works on, every now and then, although it’s difficult to keep up. Like tumblr and facebook, nothing major.




Do you have any words of wisdom for artists trying to "break out" and begin to learn the business of art.

Struggle is apart of something amazing as an artist. We create our best work during our worst moments, so don’t fuss and lose it when you’re dealing with a rut. Just be grateful and keep creating!

Do you find that the practical aspects of selling, promoting and marketing yourself as an artist detracts from your creative process.

HECK YES! I wish I had little mini mes’ running around doing all the little things I despise doing. It’s not even because I’m being fussy, but because it takes away from time that I could be creating something magnificent. Sometimes I wish I had a personal photographer, videographer, promoter, PR, assistant, chef, paint brush cleaner, and more. We, artists tend to forget about our well being, as we give our all to our art. I sometimes forget to eat or even lose track of meals. So it’d be nice to have someone taking care of all the little things.

What is the goal of art!

The goal of my art is to express myself in ways I feel comfortable with. It’s easy for me to speak my mind, but difficult for me to express emotions the ways I see people around me do. I found art as an expression form in my own personal way, without forcing myself to leave my comfort zone just to be viewed as ordinary. My goal is to free my creative mind.


What are your goals as an artist?

My goal as an artist is to leave a permanent stamp on this planet. It’s a personal documentation for generations to come, sort of like a time capsule of my thoughts, as I reflect how I view my environment.  
Art is a powerful thing; for me to take part in something larger than anything I’ve seen or myself assures me I’m doing the right thing. This magical process can be uplifting and forever lasting, so I’ve made it my goal to reach far into the future with my art, if I’m none existent years to come.






We are more than what we make, what other activities do you enjoy?

I enjoy sleeping and swimming, when I get the chance to. I also love to play/watch basketball and football. I enjoy watching all sorts of documentaries, reading history books, visiting galleries, listening to and writing poetry, and playing video games every now and then.

What do you do to get over the visual equivalent of "writers block"?

I’m always doing or thinking something. My mind can never go blank even if I forced it to, that’s probably why I’ve never experienced visual writers block. However, I have experienced the legit type of writers block for two months and not being able to write felt like the worst thing ever, but I got over it by painting.

In 20 years, what are your aspirations, what would you like to achieve?

God willingly, if I live to see my next twenty years, I hope to have my art globally displayed. I want any and everyone at any and every minute, viewing some type of art I created; from drawings to paintings, books to films, CDs to videos. I’d like to achieve changing people’s lives with different forms of art.
Have you done any commercial, public or commissioned work?

So far I’ve done five commissioned works, but nothing commercially as of yet.

If so, how do you feel about your vision being directed by third parties?

I haven’t come across a situation where that could have been an issue. It depends on how the third party approaches the situation from the get go.

Do you have any opportunities to offer other artists (collaborations, gallery space, friendship etc.) ?

I always enjoy a well thought out collaboration. A friendship could possibly develop after a collaboration of some sort. Nothing major for now, but in due time I’ll be looking for some fellow artists to hire for several positions.

Favorite writer, favorite song, favorite inspiration?

My favorite writers are Sheldon Silverstein and E.B. White.
I love the song ‘All Falls Down’ by Kanye West. That’s one song I’ll never get tired of, since I feel it portrays my right now story through two different aspects.  My inspiration is everyday experiences and encounters with nature.


What is the most beautiful thing in the world?
The most beautiful thing in the world is my mother or mothers’ in general. Bringing new life into this world is beautiful.

How has the Internet changed your promotional activities?

I’d rather communicate with a business partner through email. I enjoy writing my own quotes and embedding them into photos’ I’ve taken and uploaded to my laptop. The Internet allows my art to expand and reach people I wouldn’t be able to physically reach. It helps me backtrack and refer back to things my memory span couldn’t soak up; it helps me find direction to places I wouldn’t know how to get to without the Internet.


Do you have any favorite resources you would like to share?

If you are feeling uninspired and looking for inspiration at your fingertips, I recommend you view some of the genius videos posted on Vimeo.

Where can one view your work online?
http://kmaquintupletsinc.tumblr.com/ would be the best place.

Tell the truth, do artists make better lovers?
I’m an artist, who is not able to conjure up the proper answer to that droll question.  








Must reads
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New Paltz Art and beyond The Art of Lorraine Lagerbloom


Slip Off. 2005




"Many intelligent people have accepted the false idea that accuracy in representing visual facts is a sign of progress in art. Such imitation of superficial effects has nothing to do with art, which is and always has been the making of mental concepts. Even the scientist is interested in effects only as a phenomena from which to deduce order in life." ... "'Looks like' is not the test of a good painting. It indicates merely visual similarity and shows that the artist has not put his brain to work. " *

Discuss this statements relevance to your own artistic philosophy


I've always felt grateful for not being "blessed" with the talent of being able to realistically render objects. With enough practice, I'm sure I could get there, but I've never had the desire. Rather, this lack of "talent", has made it necessary for me to rely on my own wit to produce work that I hope comes across as meaningful, creative, and beautiful in its own right, not merely a "copy" of what already is.





Have you always been an artist, as a youth were you drawn to the act of creation?

Very much so, but not in any traditional fine art sense. I learned to cook, sew, and do woodwork from my grandparents at a young age and have continued creating things ever since.

What are your earliest memories of art?

Visiting my grandfather's woodshop in New Hampshire and being surrounded by wood, paint, tools, and beautiful scenery. At the beginning of each visit, I would come up with an idea for what I wanted to make and he would go about helping me create it.



What have been some positive influences in your development as an artist?

I had a sculpture professor at SUNY New paltz, Pamela Wallace, whose views of art and objects and materials enter into my own art making constantly. A benefit of gardening for a living is the quiet calm energy of physical outdoor work. I have become more perceptive and tuned in to a bigger picture, in both art and life.


Do you have a favorite artist, or school of art?

I love Ann Hamilton, Maya Lin, Bruce Nauman, Andy Goldsworthy, Agnes Martin, Pamela Wallace, Stephen Spaccarelli, Jockum Nordstrom....I could go on. It depends on my mood and what I'm interested in at a given point.


Did you receive a formal education in arts, if not how did you learn to use the materials and mediums that you choose?

Yes, I received a BFA in Printmaking from SUNY New Paltz and hope to earn an MFA in sculpture in the future.

What is your opinion of arts education? Is an artist born or made - or both?

Some born, some made, some are both. My experience with arts education was almost purely positive, and vastly deepened my understanding of what art has the potential to be. But I also felt a great relief after finishing school and just being able to make things without knowing why exactly. Letting the "why" come later. In school, I felt very self-conscious about working on something without first knowing why I was making it and what concept it would convey in the end.

What do you feel most influences your current attitude/style in painting/media.
i.e. Do you find reference and inspiration from pop culture, philosophy, the human body, wonderful vistas etc.

Nature, natural forms, the solace of wide open spaces, human relationships with nature, a search for the perfect balance of isolation and socialization. Spending three seasons of the year working outside, then moving into the introvertedness of winter. The constant pull towards movement, adventure, and discovery. Trying to fully embrace the full spectrum of human emotion.



Has your passion for art detracted from your success in other areas (i.e. have you had to "suffer" to do what you love)

It's hard to know what life would be like as someone/something else. Yes, I suffer, as do all living beings, but my passion for art has brought more joy to my life than suffering so far.


If someone asks you "what do you do", how do you respond?

I work as a gardener and an artist. More specifically, I specialize in residential ornamental horticulture and I am a sculptor.

What are you currently working on, how is it different from past works.? (08/09)

A series of backlit papier mache drawings of abstract tree forms on a stark background.
This is a continuation of a series of a body of work I started in 2007. I'm working a bit smaller than the prairie landscapes of the past.





Do you feel you evolve as an artist?
Mostly when I have a good chunk of time, like a few months, to direct most of my energy towards art making. That's when I actually feel as if the work is evolving. I am able to experiment with new ideas and techniques more freely when I know I have a large expanse of time to focus mainly on art. If I'm just making work in the evenings or the occasional weekend, I'll tend to stick with formulas that I already know work for me, using this time to build up a body of work.
.
Describe a day in the life of you, the artist:
Depends on the season. In the spring/summer/fall, most of my time is spent doing the outdoor physical work of a gardener for clients. Come winter, I like to slow down and spend more time in my studio. Wake up, drink coffee, start working, hopefully it's Wednesday and the classic country show is on WKZE. I love working in the morning. Usually by 3 pm, I'm done with art making and turn my attention to cooking, movie-watching, reading, and socializing.




How important is the company of other artists and creative individuals to your well being and creative output.
Extremely important, especially as a young relatively unknown arttist. Being around other artists facing the same struggles, being able to encourage and support each others creative endeavors, and having a community to discuss art with is essential.

Do you dislike/disdain the works of other artists?
Sure. I probably dislike way more work than I like. Or rather, I am indifferent about the majority of work I see. Pickiness pervades all areas of my life.

Do you display your works? If so, where have you displayed.
Most recently, in fall of 2008, at The Artist's Palate, a restaurant in Poughkeepsie, NY.


Do you have any words of wisdom for artists trying to "break out" and begin to learn the business of art.
Try to stay connected with peers and professors from school. Attend art events when you can. Talk about your art with whoever will listen. Keep making things even when you get discouraged.


I'm actually terrible at all of these things, but I know they are what I need to be doing more of.


Do you find that the practical aspects of selling,promoting and marketing yourself as an artist detracts from your creative process.
Not really. It does keep me busy though.

What is the goal of art!
To think and see in different and meaningful new ways.

What are your goals as an artist?
To tap into a world of beauty that feels timeless and true.
To tap into the world of emotions through visual expression.

We are more than what we make, what other activities do you enjoy?
Reading fiction, a very yin activity, is hands down my favorite activity but can get boring if not mixed in with more yang activities like skiing, hiking, dancing, socializing. Gardening, cooking, listening to music are all quite, reflective activities I enjoy and then there is the occasional wild night on the town.

What do you do to get over the visual equivalent of "writers block ?
"
Start making something repetitive, like braiding fabric or drawing squares, just to get my hands moving. Sort of like a meditation, it allows space to open up for new ideas.

In 20 years, what are your aspirations, what would you like to achieve ?
I'd like to feel settled into a geographical location I am inspired by. I want the time and financial freedom to make artwork that people want to own. Small house, big studio, live lightly on the land, do creative work daily. Be represented by a respected gallery.

Have you done any commercial, public or commissioned work ?

I've had one private commission for a drawing.


If so, how do you feel about your vision being directed by third parties ?

Feels a bit too much like "work."


Do you have any opportunities to offer other artists
(collaborations, gallery space, friendship etc.) ?

Friendship aplenty, and garden design services for trade.


Favorite writer, favorite song, favorite inspiration ?

Gretel Ehrlich, Only Love Can Break Your Heart-Neil Young, the open road.

What is the most beautiful thing in the world?

The prairie.

What is beauty?


Your senses falling in love.

How has the internet changed your promotional activities. ?
I am in the process of getting a website together, which is the only internet promo I have done thus far. Sometimes I post photos of openings on Flickr.

Do you have any favorite resources you would like to share?

I often look for artist opportunities on the NYFA website.


Where can one view your work online?
coming soon....www.lorrainelagerbloom.com

Tell the truth, do artists make better lovers?
Of course.













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Many intelligent people have accepted the false idea that accuracy in representing visual facts is a sign of progress in art. Such imitation of superficial effects has nothing to do with art, which is and always has been the making of mental concepts. Even the scientist is interested in effects only as a phenomena from which to deduce order in life." ... "'Looks like' is not the test of a good painting. It indicates merely visual similarity and shows that the artist has not put his brain to work. "

Discuss this statements relevance to your own artistic philosophy



  1. Have you always been an artist, as a youth were you drawn to the act of creation?

  2. What are your earliest memories of art?

  3. What have been some positive influences in your development as an artist?

  4. Do you have a favorite artist, or school of art?

  5. Did you receive a formal education in arts, if not how did you learn to use the materials and mediums that you choose?

  6. What is your opinion of arts education? Is an artist born or made - or both?

  7. What do you feel most influences your current attitude/style in painting/media. i.e. Do you find reference and inspiration from pop culture, philosophy, the human body, wonderful vistas etc.

  8. Has your passion for art detracted from your success in other areas (i.e.have you had to "suffer" to do what you love)

  9. If someone asks you "what do you do", how do you respond?

  10. What are you currently working on, how is it different from past works.? (08/09)

  11. Do you feel you evolve as an artist?

  12. Describe a day in the life of you, the artist:

  13. How important is the company of other artists and creative individuals to your well being and creative output.

  14. Do you dislike/disdain the works of other artists?

  15. Do you display your works? If so, where have you displayed.

  16. Do you have any words of wisdom for artists trying to "break out" and begin to learn the business of art.

  17. Do you find that the practical aspects of selling,promoting and marketing yourself as an artist detracts from your creative process.

  18. What is the goal of art!

  19. What are your goals as an artist ?

  20. We are more than what we make, what other activities do you enjoy.?

  21. What do you do to get over the visual equivalent of "writers block" ?

  22. In 20 years, what are your aspirations, what would you like to achieve ?

  23. Have you done any commercial, public or commissioned work ?

  24. If so, how do you feel about your vision being directed by third parties ?

  25. Do you have any opportunities to offer other artists (collaborations, gallery space, friendship etc.) ?

  26. Favorite writer, favorite song, favorite inspiration ?

  27. What is the most beautiful thing in the world?

  28. What is beauty?

  29. How has the internet changed your promotional activities. ?

  30. Do you have any favorite resources you would like to share?

  31. Where can one view your work online?

  32. Tell the truth, do artists make better lovers?

An Interview with William Hessian: I am an Artist














William Hessian
26 year old artist from Minneapolis
I have performed 11 public art hunts and 11 art battles across the country
I want to be immortal
website: www.williamhessian.com
blog: www.beardedbunnyblog. blogspot.com



"Many intelligent people have accepted the false idea that accuracy in representing visual facts is a sign of progress in art. Such imitation of superficial effects has nothing to do with art, which is and always has been the making of mental concepts. Even the scientist is interested in effects only as a phenomena from which to deduce order in life." ... "'Looks like' is not the test of a good painting. It indicates merely visual similarity and shows that the artist has not put his brain to work. " *

Discuss this statements relevance to your own artistic philosophy

I completely agree with John Sloan's quote. I do however feel, with any subject, there is always an attempt to master the craft of the subject, even though it does not serve the end purpose it exemplifies a mastery of said subject. Photo realism is a waste a time ever since cameras were invented, unless the realism stands for something much more in the context of the works. I strongly believe that artists should be predicting the future. The mind of artist has to be extremely open and intelligent and their artistic skills need to be able to communicate this thought. Artists should create the future with their art.




Have you always been an artist, as a boy were you drawn to the act of creation?
Always.
What are your earliest memories of art?

my earliest memories are a series drawings on small construction paper I did, drawing various he-man action figures. I remember my mom asking me which character one of the drawings was (which was just scribbles) and then her writing in the names so we would remember later. Buzz-Off was the best. I was 4 years old.


What have been some positive influences in your development as an artist?

I had extremely supportive parents. I spent my childhood trying to convince everyone to draw with me, and the fact that people obliged me on a regular basis also made a big difference in my life. This happened from my brother, to my relatives, to classmates. I spent a good deal of my childhood drawing my own trading cards to sell to my neighbors for change, or more likely for 'Billy Money' which I created solely for the purpose of buying my drawings.

Do you have a favorite artist, or school of art?

Francis Bacon, although I do not seem to understand why I enjoy his works so deeply. They are moody and creepy, and so is Francis Bacon....but it works. His work seems important to me.

Did you receive a formal education in arts, if not how did you learn to use the materials and mediums that you choose?

Yes. BA in studio arts from Winona State University.
What is your opinion of arts education? Is an artist born or made - or both?

I think anyone can be an artist, and I do not really think the education system does any good in helping anyone decide this. I hate our school system, I think it hurts our ability to learn and challenge. Everyone is born an artist, it is simply what happens next that matters.
What do you feel most influences your current attitude/style in painting/media.

i.e. Do you find reference and inspiration from pop culture, philosophy, the human body, wonderful vistas etc.

I find myself drooling over the Juxtapoz culture of art. I love this graffiti style, and Japanese influenced custom toy markets, video game art, and these type of works. Going back to the Sloan quote however, I do think that while most of the Juxtapoz culture is very appealing I do not think that artists are putting their attention where it should be. I would like to know what Luke Chuh, Aaron Kraten, and Mark Ryden think about the future of humanity and how they think we should solve the problems that face this world. This is what their new works should be addressing.


Has your passion for art detracted from your success in other areas (i.e. have you had to "suffer" to do what you love)

yes. I do not find joy in success in other areas. I choose careers that will work with my art, and choose schedules that give me able time to create new work. I had starting a custom airbrushing business, and in one year basically decided that it was hindering my artistic creation and therefore I only airbrush on rare occasions now.

If someone asks you "what do you do", how do you respond?

I am an artist.
What are you currently working on, how is it different from past works.? (12/08)

I am working on predicting the future with my art. Designing concepts, challenging beliefs and trying to understand what we need to do as human beings to save the earth and save ourselves. I want to know if we are the villians of the earth, or an infection, and see if we cant reverse our effect of the planet.

Do you feel you evolve as an artist?

Every single day. I feel mentally I have evolved into understanding a lot of new concepts and ideas as a person, and part of that comes from challenging myself as an artist. I want to understand how everything works. I feel I am evolving for better or worse at a very high rate. I can look back at a drawing I did a few months ago and know that I was in a completely different place artistically when I created that. This seems to change in me hour by hour. Line quality, subject matter, size, force, composition flows in and out of me and changes dramatically with each project.
Describe a day in the life of you, the artist:

My life is constantly changing day to day, but here was yesterday: i woke up at 1pm, responded to emails, packaged up some artwork that needed to be sent out as prizes awarded to winners of my Minneapolis art hunt. I then went to the library to scan in a set of drawings, research a few graphic novels, and print off some of my own custom stickers. I called a residency back in Minnesota about visiting and teaching their kids. I went out to teach a LEGOs class in an after school program. I came back to eat dinner with my girlfriend, and watch a few documentaries I rented from the library. Then starting from 1am-5am I created two mazes and drew out a bunch of ideas for future paintings in my sketchbook for my immortality series all while listening to Coast to Coast AM.



How important is the company of other artists and creative individuals to your well being and creative output.

I find it can be distracting at times. I do not need contact with other artists, or if I do, I can usually do so through email or myspace. I have a competitiveness with other artists automatically, I always want to be creating. It only takes about 5 minutes around any working artists to feel the itch to create my own work. I suppose if I hit a creative wall, or a crossroads in how to respond to the world, then I would need to be around artists, but otherwise I do not really think it is a benefit. Unless they are really awesome people, which a few of them are, and in that case I would strive to make friends out of them.
Then again, there are a few art relationships that everyone SHOULD have. I value my friendship with artist Matt Semke as a very amazing one. Since 2004 we have done 10 Art Battles, ranging from live ax chopping, painting with ten foot poles, solving free energy, and rule based competitions. Together we try to make an interactive experience in which no art project is complete unless the audience takes part, we call this: endeavorism. I consider him a close friend and a person which i feed off artistically. Finding a relationship like this is unusual but extremely exciting as an artist. I think collaborations are very important from time to time.
Do you dislike/disdain the works of other artists?

I usually like something about everyone's work, and I usually dislike something about everyones work too. Same with each work I create myself. I do compare how I would have conveyed my message differently, or in a different style. I do also try to understand the process and contemplate how successful it is.
Do you display your works? If so, where have you displayed.

A show my work all over Minnesota, North Dakota, and have been all over the country doing miniature art hunts. The best places to learn where I have been is by observing my online resume at www.williamhessian.com/resume.html

Do you have any words of wisdom for artists trying to "break out" and begin to learn the business of art.

I think struggling and rejection is a part of the process. You need to be tested. There will be period of time where you ask yourself, "do i really want to do this?" and if you are still standing there creating work and hacking away at the business of art, then you will eventually realize you have made it. If you give up, lose focus, go a different direction then it simply isnt your time to be an artist. Try again when you feel the drive.

Do you find that the practical aspects of selling,promoting and marketing yourself as an artist detracts from your creative process.

Absolutely. I wish every single day that I had an assistant to do all the little things that I hate doing. I want a secretary, public relations person, photographer, grant writer, framer, manager, and a bunch of interns to help me. Maybe one day I will get there.

What is the goal of art!

To express oneself. I think it is literally that simple. Everyone is an artist in some way, most average people are horrible artists, but they are still artists all the same.
What are your goals as an artist. ?

To express myself. I want to transcend craft, and truly making decisions based on how I feel and what I want to portray. I want to have some influence and make art matter. I want to make art an interaction with the audience, and make is special again. I want kids to love art, and crave art. I want the world to understand the importance of creation, beyond just aesthetics. I cannot do this myself however, and will be trying to get everyone to come along for the ride.

We are more than what we make, what other activities do you enjoy.?

I play basketball. I enjoy documentaries. I like board games a lot. I am a tea enthusiast, when i can afford it (good tea is expensive).
What do you do to get over the visual equivalent of "writers block" ?

I have never had visual writers block, and I have never been bored. However, I do have a big problem with finishing things I start. I lose interest and move on to nine different projects. I have learned how to focus, and at least finish one out of ten projects I start, which has been a big step for my career as an artist.
In 20 years, what are your aspirations, what would you like to achieve ?
I hope to have been many places, and have create works that change the world, even in a small way. I would love to have people waiting and anticipating my next move, wanting to see what I do next.
Have you done any commercial, public or commissioned work ?

I get commissions all the time. Most of them I am too nice to turn down, which is something in 20 years I wish to have gotten better at (referring to last question). I create public art hunts, and offer my art to anyone that wants to look for it. Commercially I do not find much work.

If so, how do you feel about your vision being directed by third parties ?

I do not like it. This was my biggest problem with my airbrushing shop. I knew I could do whatever the customer wanted, I just did not want to do it. I am very opposed to repetition, and if I have to airbrush one more flag, skull or eagle I may go insane. I do not mind doing smaller commissioned drawings, because its quicker and I simply enjoy drawing more than I enjoy airbrushing.

Do you have any opportunities to offer other artists (collaborations, gallery space, friendship etc.) ?

I always want to collaborate. I run a Sketchbook of Doom series, which is a traveling sketchbook for artists to contribute to. I used to run a gallery, with the airbrush shop, and was very interested in showing new work. I do not run it any longer, but I do always challenge any artists to collaborate or visually respond to my works. I also like to trade links, or write blogs about artists around the world or locally here in Minnesota. My art blog (www. beardedbunnyblog. blogspot. com) is a place where I want artists to come, enjoy and be exposed to new things. Any artist that wants to be featured on my blog simply needs to send me an email explaining why they should be featured, and send me a few artworks to display.

Favorite writer, favorite song, favorite inspiration ?

I like Chuck Palahnuik and Dr. Suess for writers. I like 'Power of Love' by Huey Lewis and the news for song. Nature is my inspiration.
What is the most beautiful thing in the world?
green olives.

What is beauty?
a word to describe green olives.
How has the internet changed your promotional activities. ?

The internet has given me a ground to stand on. I had a hard time socially walking into a gallery, or calling people on the phone. I was nervous and lacked confidence. E-mails and websites have allowed for me to build my confidence and understand how to interact with the art world around. It seemed very daunting in the beginning, and now I feel like I could walk into any room and feel like I matter. I love writing blogs, sending e-mails, making videos and corresponding through e-mails. The internet has a much better memory than I do, and I can always reference answers. Without the internet I do not know how long it would have taken me to break out into the art world at the level I have now.
I also strongly enjoy immediate gratification. I can finish a work, photo it, and upload the thing within a few minutes with paint still wet and send it out to thousands of people. By the next day I can get feedback on this work, and what people think of it. If I really love the work, I can create a digital business card and put the image all over the internet in a few hours. I try not to do this too frequently, because it can be a turn off and numb the viewers to my work.
Do you have any favorite resources you would like to share?

If you are looking for work, or a side job I like craigslist a lot. If you want to sell your work online I strongly suggest etsy. com . If you want a grant or scholarship I recommend Springboard for the Arts. And if you are just starting out and do not have a website you should start at MNartists. org. Keep in mind, the last two answers are very Minnesota specific.

Where can one view your work online?
www. williamhessian. com is the best place. However, you can find my on jumpcut, youtube, myspace, facebook, deviant art, art wanted, saachi gallery, my blogs, and cafepress.

Tell the truth, do artists make better lovers?
actually lovers make better artists.

An Interview with Phillip Vigil: Artist













Have you always been an artist? as a boy were you drawn to the act of creation?

I like to think I've always been an artist. I drew a lot as a young boy. During high school I would draw constantly during class. Art is something I've been around since Day One. I never intended to become an artist. It just sort of happened that way.

What are your earliest memories of art?


Going to the national gallery of art and seeing my first Picasso in person. Picasso was a huge idol of mine, I adored his work. Seeing the work my family has done. Also watching my mom doodle while on the phone; she would always do that.

What have been some positive influences in your development as an artist?

Music is a huge influence on my work especially jazz and underground hip-hop. If it weren’t for what I listen to I doubt I would be doing what I’m doing now. It’s shown me that there is more than what you see.

Do you have a favorite artist, or school of art?


Willem de Kooning and Charles Schulz. de Kooning for me is the epitome of an artist. Charles Schulz has shown me that you can do a lot with very little, and that it isn’t wrong to do it your own way.



Did you receive a formal education in Arts? If not how did you learn to use the materials and media that you choose?

I am a self-taught artist. I learned through trial and error. It's all about experimentation for me. Finding out what works and what doesn't. It's part of the thrill of being an artist. To discover things you didn't know yesterday.

What is your opinion of arts education? Is an artist born or made - or both?

I think going to art school won't make or break you. I know quite a few great artists who didn't have any formal training at all. But I think it does help.

I think an artist is born and made. I feel as though I was born to do this, to be an artist. But it also just didn't happen overnight either. It's taken me a lot of hard work to get where I am today with my work.

What do you feel most influences your current attitude/style in painting/media.


Everything influences my work. Inspiration is everywhere. Inspiration never chooses a timely hour to appear. I think you have to be able to recognize it when you see it. It comes from the music I listen to, the artists I like, the sky, sunsets, everything.






Has your passion for art detracted from your success in other areas (i.e.
have you had to "suffer" to do what you love)?


Art has not detracted from anything. Art has become my life, and has changed my life forever. I don't think an artist has to suffer to make great art. They just have to stay true to themselves.

If someone asks you "what do you do", how do you respond?


Simply, "I'm an artist".

What are you currently working on? How is it different from past works?

I’m working on new drawings at the moment. They’re different and then they aren’t different. I’m also working on my assemblages where I take everyday objects and arrange them in a certain way; they get photographed, and disassembled.

Do you feel you evolve as an artist?


Of course, evolving is essential and it's something that interests me a great deal. Art is all about moving forward for me.

Describe a day in the life of you, the artist:

I usually get up pretty early in the morning. I like starting on my work early. I'll usually start on a few small drawings. Then if I need to I'll cut more paper for the larger drawings. Then I'll usually spend the rest of the day working on the large drawings, or perhaps working on my assemblages. I'm always keeping an eye out for interesting objects, and ideas that I would like to include. When I'm working time flies by so quickly. It's kind of hard to get all that you want done in a day. I also get to the gym at some point during the day. It's nice to get away from thinking about art even if only for a few hours. By the time I get what I want done its usually time for bed, time to sleep and start all over again.


How important is the company of other artists and creative individuals to your well being and creative output.


It’s not entirely important to me, but it is important for me to have these relationships with these people. It’s interesting to have people around you who can relate to you on an artistic level. I get inspired quite a bit by the people I’ve come into contact with. But I also don’t mind spending time alone, which is what I prefer.

Do you dislike/disdain the works of other artists?


I like a lot of work other artists make. That doesn’t mean I like everything they make. Art is about finding your own voice, and being able to express it your own way. It’s exciting to see something that you’ve never seen before.

Do you display your works? If so, where have you displayed.

I'm not displaying any of my work at the moment.

Do you have any words of wisdom for artists trying to "break out" and begin to learn the business of art.

Don't be afraid.

Do you find that the practical aspects of selling, promoting and marketing yourself as an artist detracts from your creative process?

It doesn’t detract from my creative process. It's all a part of being an artist, and getting your work out there for everyone to see. If you don’t make time for any of this no one will ever know what you do. Good business is the best kind of art, right?

What is the goal of art!

To inspire, that’s what it means to me. Keep moving forward, but always look back.

What are your goals as an artist?

To inspire others the way I’ve been inspired. To keep moving my work forward and to not become formulaic with what I’m doing.

We are more than what we make, what other activities do you enjoy?

I enjoy reading, listening to music, going to concerts, going to libraries. I also like going to the gym and working out. But it's kind of hard to get away from art because it's become who I am as a person.

What do you do to get over the visual equivalent of "writer’s block"

I think this quote by Chuck Close says it all; it’s something I’ve though about for a long time now.

"The advice I like to give young artists, or really anybody who'll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you're sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that's almost never the case."




In 20 years, what are your aspirations, what would you like to achieve.

I would like to continue what I'm doing. There aren't any real goals I would like to achieve; I think that’s unrealistic. I don't know what’s going to happen tomorrow. I like the uncertainty of art. I could be dead tomorrow and that would be the end of the story. What’s more important to me is right now, because Time is all we have.

Have you done any commercial, public or commissioned work?

I have not done any commercial or public commissioned work.

Favorite writer, favorite song, favorite inspiration?

Not so much writer but more so a favorite book “de Kooning: An American Master”, My favorite song is "Oh By The Way" by Art Blakey. As for my favorite inspiration I don't have one.

What is the most beautiful thing in the world?

Being alive.

What is beauty?

Beauty is what you make of it. Cliché I know..

How has the internet changed your promotional activities?

It's enabled me to show my work to the world. A lot more people get to see what is I do.

Where can one view your work online?


www. myspace. com/highendart is the only place to view my work online currently.
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